The Art of TV Music with Dominic Glynn

Dminic Glynn
Dominic Glynn

My guest this week is Dominic Glynn, a prolific composer for film and television. Dominic got his start working on Doctor Who, and has provided music for titles as diverse as Red Dwarf and The Simpsons. Dominic tells me how his career began in the mid-80s as a self-taught musician, how incidental music works, what it’s like to write for an orchestra, and more. 

Episode breakdown:

00:00 Introduction.

04:55 Member of band transitioned to solo career.

06:25 In the 80s, got obsessed with affordable synthesizers.

10:22 Confidently sought job with Doctor Who in 1984.

13:24 Affordable technology enabled music production from home.

18:27 Editing music reel with time-coded leader tape.

22:00 Working on music synchronization for VHS episodes.

24:50 Luck played a part in minimal changes.

27:40 Excessive music in TV/films can ruin impact.

30:31 Music can enhance storytelling in low-budget productions.

32:41 Cartoon character’s appearance affected by budget constraints.

35:50 Electronic music lover disappointed in orchestral shift.

41:31 Doctor Who‘s evolution from theater to cinema.

44:00 Creating music similar to popular soundtracks for music libraries.

45:29 Unexpectedly finding music in beloved TV shows.

51:06 Creating music that emulates the 50s-60s hits.

54:24 Composer entrusts scoring to orchestra, marvels at musicians’ skill.

Read this week’s article, on why you should make bad art, here.

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Want more? Here’s a handy playlist with all my previous interviews with guests in theatre.

Show links

Dominic’s SoundCloud






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